Within the quiet atmosphere of a hotel bar near London's Royal Ballet, Matthew Ball orders a mint tea. The dancer's carriage is effortlessly upright, his arms muscular beneath a simple white T-shirt. On stage, dancers can seem like powerful gods, yet frequently in person they are small. Not so Ball, whose height is part of his popularity for princely roles and partnering. With fine traits and piercing eyes, there's a hint of a brooding actor about him.
A Seamless Ascent to the Pinnacle
Now 31, Ball is enjoying the crest of a career that has advanced smoothly. Growing up in Liverpool, he faced little teasing for his early interest in ballet. Entering the esteemed training institution at 11, he graduated straight into the troupe and was promoted annually, reaching the top rank of lead dancer in 2018. He has loved taking on meaty dramatic roles, particularly the emotional turmoil found in a famed choreographer's ballets.
"Your breath is short, your legs get heavy, but it’s really a mental fatigue."
Ball's upcoming featured appearance is as himself, in an "In Conversation" event aiming to offer intimate insights into a dancer's art. He will walk the crowd through a part, demonstrating his mental process while performance. Even in more comedic works, the test is significant. "Don Quixote is one of the most demanding from a skill perspective," he states.
The Psychological Game and After the Show Feelings
What about after a performance, when he has succeeded? "It feels pretty good," he admits. "However because I'm trying to squeeze all the emotion out of it, and get immersed in the role, quite often I do feel self-conscious later. Following Mayerling I'm always like: Wow, what must people think?"
In person, Ball is thoughtful, mild-mannered, and prone to laugh at himself. Yet a dance maker once observed on a "sense of suffering in him." Is there? "I am very energetic usually, but I do have a melancholy streak," he reveals. "I somewhat enjoy pessimism sometimes. I've always felt that negativity has been an catalyst for positive change."
Early Drivers and Artistic Inspirations
Ball's tenacity stemmed from early setbacks. Not excelling in contests at school made him "driven!" It was fuel to prove he could achieve. Discovering the book *Mao's Last Dancer* was a "watershed" moment. "It changed everything, it made me go a bit fanatical," he remembers.
The next challenge is creating his own choreography. In his view, "there's nothing wrong with." "Breaking the conventions is interesting, but just pretending that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be filled with substance, drawing ideas from books, music, and painting.
Intimate Performance and Private Partnership
He additionally favors presenting dance in smaller venues. "It was just really thrilling," he says of a previous experience. "You’re so near to the viewers. I felt as if they were thinking: 'That’s a human, and they’re perspiring.'"
Ball has made pieces with his partner, fellow lead dancer Mayara Magri. The level of faith between them is evident. "We tried it out on the beach first," he says of a daring lift. "It was like Dirty Dancing." They are not typically paired on stage at their main theater, which is perhaps beneficial. "We’re both quite strong-willed people, so it’s not always smooth sailing," he admits. "Yet I feel like we’re each other’s biggest cheerleader."
Regarding Instagram and Bodily Perception
On social media, fans can see clips from his projects and photos that highlight a sculpted physique. Does he care that the response can be a bit focused on appearance? Not really. "The body is just what we use, so I don’t feel very protective about it," he explains. He relates it to seeing Michelangelo’s David—an object that can be seen on multiple levels.
Ball characterizes his early self as "eager for success." Did it lived up to his hopes? "I am conscious of how life is a different reality to the dreams you made as a child," he muses. He probably has about decade of dancing left. "I guess in the future, I want to be a bit more gentle with myself."